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February ... 2015

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I'm sure we haven't seen the last of summer in the sub-tropics but its been a most pleasant week or so here... cooler and easier for trying to concentrate on work. 

I've started work in earnest on the book that's been on the cards for ages.

Today I collected a Limited Edition print which had been ordered for a client and thought I would post it here.




The image below is a stretched Limited Edition print on canvas for a client last year. The artwork was wrapped around the wooden stretched frame... a mirror image of the artwork that is. I particularly liked the way this worked in real life. 




However this work below which was painted last winter... an unframed work on linen, 200 cm x 100 cm, required a different approach for the Limited Edition print.




“Homage to our common inheritance” by Sophie Munns, 2 m x 1 m 
 PLEASE NB: COPYRIGHT Sophie Munns




The original artwork has a frayed selvage that I stitched in natural linen to strengthen. The work was given a layer of an Atelier varnish to seal the ink and paint surface on linen in addition to the surface having been sealed as an undercoat prior to working on this piece.

On this framed print the frayed edge is revealed on the front of the work rather than attempting to wrap the design around the frame.


Making a print from a work this large required professional scanning at an extremely high resolution which thankfully has produced an excellent quality print. 

Unfortunately the lighting on the work was not ideal for taking images this evening ... it seems to have thrown a warm glow on most of the images thus affecting the authentic colours. Apologies for this somewhat annoying problem.




These close-ups give some idea of the effect of the print at least.




The image below is ironically more true to the colours... 
however its not a good image or resolution.




The other task of the moment I am very focused on is the book project that has been gestating for a few years.





The weekend just passed was spent working on a draft of sorts! The computer clearly was useless for trying to capture essential material for a book which will rely heavily on text, image and a somewhat unorthodox composition of concepts... (hopefully)!


Instead I've gone for watercolour paper ... It comes in 50 sheets per pack... 300gms, acid-free , cold pressed, 210mm x 100mm + using pigmented ink pens, lightproof, permanent + waterproof.

I've tried books of every size, cheap A4 paper, computer, a private blog, post-it stickers... you name it.

And this time it's working the way I need it to!




One of my favourite painting projects was carried out on these excellent paper sheets. Once this stage is completed and I begin to transform material into pages on my computer I could paint over work on these cards if I don't wish to save them.



I'm reminded how reliant my process can be on shifting between idea, text and image. Images are not purely illustrations and diagrams... articulating far more than words at times. It's filmic in some ways... and this is the Story-board. I can't be concerned with how it flows or comes together yet... all that matters is managing to assemble the disparate parts of something that's been long gestating.



Capturing the key themes, musing on stages of one's Art Practice over decades offers much to consider. The challenge to pare back... to lift out what is essential. The search for central motifs and the leading thoughts is everything at the moment.




I hope February is proving stimulating for you... with good challenges that are enriching.

Cheers,
Sophie



Announcing the ONLINE-STORE: SeedArtLab Studio@BigCartel

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Well... its rather late ... and a peaceful night it is here.

Can't believe how long it took me to get my head around setting up an Online shop. First the thinking, then the research and looking, then more thinking, gradually the site-building and finally some lessons here and there and a crescendo of activity and wa la! Its Up!

Glad to say its getting easier and more familiar as I go... its been 9 days since I quietly launched the venture.

I decided on Big Cartel for my ONLINE STORE: http://seedartlabstudio.bigcartel.com . Gradually adding stock... a few smaller original works on paper and mostly Archival Quality prints. I have offered Limited edition prints for some time now... but the platform for selling Overseas was a necessity.

I've sorted out a square format for small prints... something affordable for purchasing with modest shipping costs seemed a good idea. I've long been drawn to squares... and circles.




20 SMALL PRINTS ARE NOW AVAILABLE: As a Special offer... before Easter Monday, APRIL 6th, any of the 21cm sq Prints on beautiful Hahnemule Photo Rag 208 Gsm ~ cotton rag paper are avilable for a special price. Visit the ONLINE STORE: http://seedartlabstudio.bigcartel.com to see the current offer and the range posted in the last week or so.


Section of Orginal Artwork.


There are larger LIMITED EDITION prints up already... and as of today small prints that will be signed but sold as affordable works on Archival Photo Rag Paper. The print above is a section of a large Limited Edition print available on Paper or Stretched Canvas.

Limited Editions Series are signed, titled and numbered by the artist ... subsequently in a different price range as larger, high quality works. 




One of my passions is the element of water... pursued in my art-practice at various times, especially in the Newcastle years 2000-2008. I've accumulated many photos taken at Ocean Baths... particularly focusing on light & movement of water.

There are 5 prints as part of the special offer with this theme ... titled 'Water Quartet'.




I will gradually post up other Limited Edition works that are available. I've more images than time to post them online it would seem. Learning the process of writing to convey crucial info, supplying all the shipping and purchasing details takes time... and I am sure there will be some finessing to do yet.

My goal is to be sharing work from my studio through this new venture whilst I focus quite intensely on a quite involved 'Homage to the Seed' book that's been started ... a writing fund is a good thing indeed.

Best wishes everyone!
Sophie

May Plantbank Residency and Weekend Workshop, May 23 + 24, 2015.

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Yesterday I posted this update at the Homage to the Seed Blog : homage to the seed weblog . . .: May Plantbank Residency Workshop, 2015. which I'm reposting here at Visual Eclectica.



On Monday I commenced a 2.5 week residency at Plantbank, located at The Australian Botanic Garden Mt Annan in SW Sydney.


Diversity wall at PLantbanks Foyer.

This follows an intensely rewarding residency conducted here at virtually the same time last year. The drive from Brisbane was a drawn out over three days to visit friends along the way and take in the landscape of NSW where I grew up and lived for many years. 


Saturday night stopover in Newcastle.

Yesterday was a series of lively conversations, catching up with familiar people, settling in to onsite accommodation & creating a workspace in the Plantbank Staff work area which is expansive and has wonderful natural light streaming in.


Seed-collecting shelf next to my work desk at Plantbank ... looking out to the Garden.

I managed to fit in a two hour walk in the Connections Gardens seed collecting and taking photos in the afternoon but last night by 6.30pm I was ready for a simple dinner in the Residency flat & catching a couple of TV programs, too tired to even write on my laptop.

Today was more conversations, reading material and another quick trip to find seedpods.


Sophora tomentosa found today in the Wattle Garden.


Near the staff Kitchen at Plantbank I set up a drawing table and placed a large sheet of paper, sepia ink, seed pods and twigs for drawing implements. Everyone is invited to contribute to this #BigSeedDrawing.







After a few staff had dropped by and made a start of this communal Seed drawing which will be completed by the time I leave.


Gum blossom


Gum blossoms via Instagram and Apps.


Callerya megasperma found Monday in the Garden.


From Plantbank Seed Material








Gmelina leichardtii .... found in the Gardens on Monday.



You can follow the residency through extensive posts with images on my

 FACEBOOK PAGE:  Homage to the Seed

or 




Instagram will also have some posts.





READ ABOUT THE WORKSHOP HERE:



I'm here till May 27th. Look out for the Workshop details on May 23 + 24... places left if you are local!  

MORE INFO HERE AT EVENT PAGE.

Cheerio,
       Sophie

NEW: Seeds through an Artist's Lens WORKSHOPS start next week.

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Scroll right down to see all photos taken at PLANTBANK during the May Workshop held while I was on Residency there. A lovely bunch of participants...  from the very experienced to newbies and everything in between.

I saw wonderful results, heard great comments and sighs of satisfaction. Excellent feedback and warm connections were generated over the two days.

We had so a unique range of seeds and pods to be inspired by. Now I am offering tis same chance for you to dive into the wonderful world of Seeds at my studio here in Brisbane Northside.... starting NEXT WEEK.


'


SeedArtLab Studio is an ideal space for between 3 to 6 people to be really comfortable ...  catering for beginners, the somewhat experienced,  seasoned artists and those practicing/exhibiting seriously. 

Costs for workshops at the studio are:

$115 per day including most art materials needed and light refreshments, tea, coffee, bickies!
                                                       
 or 

$125 if you choose to have lunch provided as well. NB: Please be sure book & pay for a simple, fresh lunch.
                                                        
Hours are 9.30am meet & chat over tea/coffee
                                                        
 By 10am well be getting stuck in. Lunch is 12.30-ish & we’ll be working through till 4 to 4.30 for those who like to wind down. 


Most art materials needed will be provided with you fee. Do bring a journal/sketch book, any favourite art materials you love to use like coloured pencils, mixed media, watercolours ... and if you want to use high quality paper you can purchase something here if you would find that easier than getting to an art shop. Allow $5 or so if you want to buy quality watercolour paper. I’ll have some free for you to try! Most of the work we do will be on various kinds of paper …  or in your Journal!


Next MONDAY 29th, TUESDAY 30th or WEDNESDAY July 1 is available + the Weekend Saturday July 4th + Sunday 5th.

Anyone wanting the week after or later on …. please suggest dates and I’ll put that out to others.


Please ask me if you have any questions or concerns about what we will cover in this workshop… I’ve taught in schools, Uni & adult education in a huge variety of contexts so the starting point is always getting you oriented, making sure everyone relaxes, then entering into a kind of adventure where learning is absolutely enjoyable, one process after another is set up to get things rolling and by the time the afternoon sessions begin everyone is absolutely ready to get more focused on something you've particularly enjoyed discovering in the morning. 
I hover around but don’t intrude! I make suggestions that may extend ideas for you to explore and ofren others in the group will bounce off each other too, depending on the day. I like to do a few 'Show and tell’ interludes … there’s plenty in the studio to share and inspire. 

After you make the Workshop booking I will send out a practical check list too.

When weve confirmed dates you will then make the booking through DD bank account:


call studio: 07 3359 6849
mobile: 0430 599 344
Meemar St, Chermside, 4032 
(near the corner of Inga St)

Other events coming up:

I’ll be back At Plantbank, South West Sydney at the Australian Botanic Gardens doing another workshop mid September. Let me know if you want more info on that. Shelomi… will send you that info asap.


*MAYBE OF INTEREST: At the moment I’m in discussion with a lovely resident near Lamington National Park about a possible Art Retreat in Spring. If you wish to hear about that let me know. My friend is an organic grower, also producing fabulous coffee, growing Indigo plants for eco-friendly dye and is an amazing cook. Once we’ve put our heads together tomorrow night at her place up the mountain we will have more of an idea about offering Seeds through an Artists Lens as a 2 or 3 day retreat up there.  

In the coming months there’s likely to be some other regional workshop venues on the cards. For now however …  anyone who can make it along to the Brisbane Studio ... its definitely a great place to start from ...I run my project here and everything is on hand.

I look forward to seeing you before too long if in this region and keen to make deeper acquaintance with an enthralling diversity of seeds at our fingertips.

Sophie





































"Artists create holes and openings in the universe" Mary Button Durell

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In recent months there's been a fair bit happening ... in May a Residency at Plantbank which you can read about in previous posts... and at Seed Art Lab studio where I ran a series of workshops. 

Ten days knocked out with a virus slowed things down lately ... this week feels like I am just getting my stride again. Blogging is getting to be a rare event but I enjoy running into familiar faces at other sites and certainly anyone who does want a glimpse of whats been happening or to follow the Homage to the Seed project can LIKE my Homage to the Seed FACEBOOK Page for constant updates, news, artworks, related thematic material and abundant Seed themed posts.

Instagram is also where I post frequently these days: INSTAGRAM ~ SOPHIE MUNNS

Even though I've taken several thousand photos over the last couple of months I will have to find time to post those... in the meantime I loved this story about artist Mary Button Durell and invite you to read the whole article and look further into the website where a fav of many or us, Mari Andrews, has her story and work also featured. Enjoy!


Mary Button Durell


Artists create holes and openings in the universe. They 

sidestep the conventional, conditional, predictable and 

habitual, and they illuminate and connect different worlds.

Quote from 'In the Make' - studio visits with West Coast artists.

Read entire article here.

Mary’s studio is in the Mission District in Project Artaud, an arts complex that includes three theaters and is home to over 80 artists and writers. I had briefly talked to Mary on the phone before our visit, and her exuberant, jangly voice prompted me to make a few pre-visit conclusions: I figured she’d be a bit of a character with a healthy dose of nervous energy and a propensity to laugh easily and heartily. I have to say, I pretty much hit the mark. Mary’s a lot of fun to be around— she’s totally unpretentious, gesticulates wildly, and swears like a sailor. Somehow people who swear make me comfortable— maybe it’s because I assume they aren’t holding back and they’re coming at me just as they are, without obligatory formalities weighing them down. Mary’s unaffected way of being comes through in her art practice as well. There’s a rawness and simplicity to her materials, she essentially only uses tracing paper and wheat paste, and her inspiration often comes in the form of singular, unexpected visions. Though her process can be incredibly time-consuming it is decidedly straightforward, and yet it produces layered, imaginative, amorphous pieces that hint at the complexities and fragilities of humanity and the natural world. Mary’s been working with tracing paper and wheat paste since 1998— that’s a long time, and part of me wonders how she hasn’t gotten bored, or stuck, or indifferent along the way. Yet despite knowing her materials so intimately, Mary is constantly renegotiating the terms of her work, implementing new strategies and tactics that test where and how far she can go. Because Mary deals with just the essentials, pushing her materials is crucial, and every tweak, stretch, and pull makes all the difference.
















Seed.Art.Lab Internships (i)

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On Wednesday I welcomed Jane Jaffe to the Studio for a holiday work experience stint... but as we discussed  what we would endeavour to achieve through this the concept of the intern struck us both as a more fitting description for the involvement she would have in my work space.

It was a very organic process arranging this ... and it really emerged out of  having a new space to work with that's flexible, people-friendly and naturally leads me to thinking about the various ways it might be possible to operate my project whilst managing both admin and painting practice demands at the same time.

WEDNESDAY 11TH DECEMBER : Welcome to Jane 

Jane:



Homage to the Seed" and researched her before emailing her in March for my Senior Art Assignment on ART VS SCIENCE.





I asked Sophie a couple of questions expecting to be met with a few sentences in response. The journal images below show the results of the exchange! 





To my amazement and pleasure she sent me back paragraphs, pictures, book recommendations and video links to help me out. 





Her passion and knowledge of seed biodiversity is contagious. In particular her story about how back in 1983 when she learnt of Corporations like McDonalds bulldozing the Rainforests of Brazil to access land to grow cattle for their "low-grade food product" it had seemed clearly wrong and unforgivable to her. At that time a young school teacher, it upset her so much that she began to ask questions regarding the degradation of the planet and likely future scenarios.





After communicating with Sophie I signed up to receive her newsletters and received one in my last week of school about the new studio opening. I was so excited to meet Sophie and see her artwork in person and I was not disappointed. I ended up leaving with a copy of her book, a hand-painted plate and 'Archaic yet reverberating still II' which hangs proudly in my bedroom.






The general vibe here is what you expect - a cool breeze blowing through the widow, Sophie's work native birds chirping in background all add to the wholesome, peaceful and relaxing ambiance the studio oozes. Inspiration is spread across the table from foreign high end decorating magazines to exotic looking seedpods all have its place in the relaxed (yet immaculate) studio. For morning tea we had a healthy and sustainable snack of fresh blueberries, bananas, mangos, dried pawpaw, cranberries, pecans  and peanuts (very delicious!). Somehow Sophie also managed to make this platter look like a work of art with careful placement, colour and a beneficial message."






It is enviable that I would end up finding myself in Art related places. My father collects antiques, my uncle was the curator for the British Art Gallery and one of my cousins is a full-time bird sculpture artist and another cousin is studying Arts at Goldsmiths. From an early age I was exposed to Galleries, a house filled with paintings and for christmas I was never short of paint sets, sketch books and anything creative that came in a box set from relatives. I still have my one and only set of Darwent pencils (although some are just a stub) which I took to school everyday. Along with the compulsory lessons of Junior School Art I signed up for art club, which was a few afternoons a week after school for 2 hours, so I could spend more time in my favourite subject. 

In grade 8 when art became optional it was a no brainer that I would continue. Although "Art Club" was no longer offered we moved into more digital and modern forms of art and exploring other artists and the flesh behind their work. Mrs Brown taught us lino printing, palmpsesting, photoshopping, photographing, de/re construction and symbolism. I love every technique and appreciate artists in all fields. Even as a teenager my friends and I would seek out GOMA to see what interactive exhibition was on, for me art had become a way of life, not merely a reflection of it. 

Eager to do my best yet questioning weather I could handle the 3000+ word assignments of Senior Visual Art I was blessed with the topic "ART VS SCIENCE" and the first essay was from the perspective of a scientist write about what you find in your chosen Artists Studio. With a particular interest in natural medicine and the environment Sophie's name popped up on my laptop screen in your standard google search. I dot pointed research on her in my art journal and loaned her book from the Library the next day. I found a link on her website to her e-mail and the rest is as they say history. 

Inspired by Sophie's motif (symbol) of the seed, I decided to create my own motif, the snow pea. I started off germinating snow pea seeds in syringes to show the dichotomy of modern medicine and natural healing.






To symbolise the loss of natural remedies being passed down to the next generation due to the complete veneration of modern western medicine and also to show how our environment is being impacted by the decisions we make today I created an ice sculpture with snow-pea sprouts which I filmed melting. 







Also inspired by Sophie and Salli Sixpence I made this work from photographs I have taken of paint and ink, then fragmenting through white paint and reconnecting with the snow pea sprouts I drew using carbon paper. 






After photographing this work and photoshopping it I created a book, a kind of 3D symbol of natural medicine like the snake on the staff for western medicine.






Inspired by colour blindness tests I spelt out the message of my body of work "THE CURE AND THE CAUSE" within the piece. This is to highlight that modern medicine is seen as the cure it may present unforeseen problems for a different reason. Some things have been proven to be fixed such as type II diabetes, vitamin C for colds and vitamin B for energy and mental wellbeing. I am not saying there is not a place for Western Medicine I am just saying we can prevent and handle some illnesses through natural means in the way our ancestors have for centuries. This is summed up by the quote "Farmacy as apposed to Pharmacy"



I have skipped through a few works but this was my final piece. My Grandfather is the man in the photograph and he is making Silver water. A drink he would bring in glass bottles as soon as he heard we had a cold or we complained about feeling under the wether. 















Now that I am in a different phase of my life and not completing art in an academic setting, I don't start university until March 2014, It is nice to be an intern to reflect, create and envision the future. After chatting to Sophie in her studio she has inspired me to start an archive of my work in a tumblr site and I am going to start a visual journal to jot down my ideas and scraps of inspiration. In the mean time I am happy to be relaxing and learning from Sophie.

Jane 

WORKSHOPS + NEW WORKS

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Hello to wanderers who happen to pass this often neglected spot in the blogosphere.

After a period of slowing down to recover from a winter virus followed by a week of tech glitches I'm happy to say things are moving again. 

I've given new life to the ONLINE STORE I set up earlier this year called SeedArtLabStudio at Big Cartel.





One of the New Prints available in two sizes UNFRAMED




When adding these to the Store I divided the artworks into related series... one lot are seed photos, most are digital altered artworks and photos that are highly layered and 'hybridised' images. I've often painted in that manner over 2 decades so it was an interesting extension of my work.








The other work I've been pursing of late is planning and running workshops. With the development of the Seeds through An Artist's Lens workshop for PLANTBANK in May Ive been able to run this at SeedArtLab Studio which is at my Brisbane home plus begin to make plans to offer it at other venues.


Michelle Auer

The two images, above and below, are from last week's Studio Workshop. Michelle and Debbie were returning from the previous month to add another day to their new experience of exploring Seeds visually. Michelle brought this Hand-bound Journal she had made using pages from our previous class... that was incredible to look through and I really loved the idea of using pages from a specific time in a new book.

Deb below surprised us with a huge stack of Photos she has taken on theme... nature, leaves, seeds, bark and so on. Stunning! I was incredibly thrilled to see how beautifully she captures her subject and the flow through of thematic material. She had described herself as a beginner so it was fantastic to see the strength of her aesthetic awareness. She was able to reference some imagery in her tasks that day.


Deb Davison


It has been an interesting process working out how to schedule home Studio workshops seamlessly, without chewing up too much time & focus. I slowly hit apon the idea of going away from the studio to run bigger workshops in venues for other organisations for the most part... then being able to work at home with small groups, only on demand, rather than doing that highly constant scheduling, like clock-work, once a week ... go, go, go. The result has been brilliant. Small groups... 2 to 4 people... plenty or room and time to get to know each other. Artistically it is actually really fulfilling for me in this set-up as I can join in, pull things out to look at I've been working on plus generally bring a more alive energy to the studio without the pressure of constant grind...............................................................


Speaking of other venues ... I'm returning to Sydney in September for another PLANTBANK Workshop at the Australian Botanic Garden, Mt Annan.




I've put a map up here... its been very confusing for some as to where this Botanic Garden is. It is sometimes mixed up with the National Australian Botanic Gardens in Canberra... understandably.  


Sydney has three gardens... one in the City overlooking the Harbour, Opera House etc, near the Domain. It was established early on in the settlement of the City.


Mt Tomah is at the Blue Mountains due west of the city and is a spectacular day trip for being in that location.

Mt Annan is virtually on the Hume Hwy, the link between Sydney, Canberra and Melbourne...and close to the very early established Agricultural region for Sydney at Camden. The grounds of this Botanic Garden are huge and contain all Australian Flora. 

Plantbank was opened on the grounds in 2013 although its actually housing 30+ yr old NSW Seed Conservation projects. One can get here by car or train/bus... although due to the extensive grounds a vehicle sure helps.



I made the notes below for my Instagram posting last night:

SYDNEY Mid Sept ... who'd like to muse on seeds in Australia's most exciting #biodiversityhotspot contained in a NEW architecturally awarded facility known as #Plantbank at the @australianbg in south west Sydney???. Leave your contact deets/email here so I can send INFO... One day only is possible if you have a long drive & can't stay nearby. Bring a friend or bring yourself for a totally unique opportunity that will likely blow your mind & leave you with so much to think about! Definitely an OPPORTUNITY that will speak to both BEGINNER dabblers with the curiousity to learn much more and ESTABLISHED/seasoned creatives keen to respond to something very exciting and timely that is central to future challenges and #needtoknowagendas! Text your email to 0430599344 if that's best for you!

You can check out the FB event site here: https://www.facebook.com/events/1475346906115018/
at the FB page of Australian Botanic Gardens Mt Annan.

Images from Plantbank residencies:

Melaleuca globifera


Waratah seeds and pods - Floral Emblem of NSW

X-ray seeds

In fact anyone who would like to know more can write/text & also follow my Instagram feed which keeps posted on such things + updates very regularly.

A recent blog post about the workshops can be read here!

Cheers all!
Sophie

October 3 : FANDANGO Mark-making to music workshop... Tweed River Gallery

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October 3is the date of a wonderful all-day workshop I'm thrilled to be offering in collaboration with Marilyn Reeman at the stunning Tweed River Gallery and Margaret Olley Arts Centre in Northern NSW. 

When Marilyn, whom I knew through The Sabbatical Home on Instagram, contacted me with the idea for FANDANGO which was a workshop focusing on the use of ambient and varied forms of music as a prompt for mark-making I was delighted given its a process I've used in my workshops (going back rather a long way) to start each session.     

10 years spent learning Piano growing up, & being from a musical clan (of singers in particular), has long influenced my art-making ... so it wasn't hard to see how this could make a wonderful collaborative workshop and get others enthused.

Marilyn has designed the morning of music to free participants up to really enjoy mark-making and for the afternoon I will step up & introduce the Seed Story with a collection of seeds and pods to give further focus for the mark-making... for making experimental and free organic drawings with these wonderful seed forms for inspiration.

Anyone interest in more information or making a booking PLEASE NB that full payment is required to have a place in this workshop ... first in first served!

BOOKINGS + further INFO:
Please note:
NO bookings will be taken by 
Tweed Regional Gallery.

BOOK SOON ~ Avoid disappointment!



Click on this Flyer to read a larger version.





when:    Saturday, October 3rd 2015  10 am - 4pm
where:   Frances Mills Education Workshop
        Tweed Regional Gallery & Margaret Olley Art Centre
          2 Mistral Road, Murwillumbah 2484
what :       Join us for a wonderful day-long Workshop being guided by
                 Marilyn Reeman, Nature inspired artist, textile designer & teacher
                 & Sophie Munns, visual artist & facilitator ~ Homage to the Seed
In the morning Marilyn will introduce you to the extraordinary way music can evoke & guide your mark-making... the atmosphere from sound and rhythm spilling onto your page with your hand moving in response to deep listening. Within minutes those who’ve never experienced this process before will begin to relax, to unwind and to find what comes when the emphasis shifts from careful copying of what you see in the world to literally drawing from within your own being and finding the magic of rhythm, texture and energy in your lines tumbling onto the page.

During the afternoon Sophie will bring some of nature’s remarkable seed pod forms to your attention and you will continue to work with free mark-making approaches to make lively ‘drawings’ based on the wonderful world of seeds as your starting point.... using all your senses to capture the spirit of one of nature’s most potent symbols... in homage to the Seed!

Materials provided. Cost: $125 for the day + Lunch ~ byo or enjoy the Gallery Cafe. 

NB:Online links for facilitators:

  Marilyn Reeman’s artworks & Instagram Gallery,
            
  Sophie Munns on Instagram


We'd love to hear from you if you wish to know more.

Cheers,

Sophie & Marilyn!



PLANTBANK WORKSHOP SYDNEY MAY 2015


Seed.Art.Lab Internships (i)

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On Wednesday I welcomed Jane Jaffe to the Studio for a holiday work experience stint... but as we discussed  what we would endeavour to achieve through this the concept of the intern struck us both as a more fitting description for the involvement she would have in my work space.

It was a very organic process arranging this ... and it really emerged out of  having a new space to work with that's flexible, people-friendly and naturally leads me to thinking about the various ways it might be possible to operate my project whilst managing both admin and painting practice demands at the same time.

WEDNESDAY 11TH DECEMBER : Welcome to Jane 

Jane:



Homage to the Seed" and researched her before emailing her in March for my Senior Art Assignment on ART VS SCIENCE.





I asked Sophie a couple of questions expecting to be met with a few sentences in response. The journal images below show the results of the exchange! 





To my amazement and pleasure she sent me back paragraphs, pictures, book recommendations and video links to help me out. 





Her passion and knowledge of seed biodiversity is contagious. In particular her story about how back in 1983 when she learnt of Corporations like McDonalds bulldozing the Rainforests of Brazil to access land to grow cattle for their "low-grade food product" it had seemed clearly wrong and unforgivable to her. At that time a young school teacher, it upset her so much that she began to ask questions regarding the degradation of the planet and likely future scenarios.





After communicating with Sophie I signed up to receive her newsletters and received one in my last week of school about the new studio opening. I was so excited to meet Sophie and see her artwork in person and I was not disappointed. I ended up leaving with a copy of her book, a hand-painted plate and 'Archaic yet reverberating still II' which hangs proudly in my bedroom.






The general vibe here is what you expect - a cool breeze blowing through the widow, Sophie's work native birds chirping in background all add to the wholesome, peaceful and relaxing ambiance the studio oozes. Inspiration is spread across the table from foreign high end decorating magazines to exotic looking seedpods all have its place in the relaxed (yet immaculate) studio. For morning tea we had a healthy and sustainable snack of fresh blueberries, bananas, mangos, dried pawpaw, cranberries, pecans  and peanuts (very delicious!). Somehow Sophie also managed to make this platter look like a work of art with careful placement, colour and a beneficial message."






It is enviable that I would end up finding myself in Art related places. My father collects antiques, my uncle was the curator for the British Art Gallery and one of my cousins is a full-time bird sculpture artist and another cousin is studying Arts at Goldsmiths. From an early age I was exposed to Galleries, a house filled with paintings and for christmas I was never short of paint sets, sketch books and anything creative that came in a box set from relatives. I still have my one and only set of Darwent pencils (although some are just a stub) which I took to school everyday. Along with the compulsory lessons of Junior School Art I signed up for art club, which was a few afternoons a week after school for 2 hours, so I could spend more time in my favourite subject. 

In grade 8 when art became optional it was a no brainer that I would continue. Although "Art Club" was no longer offered we moved into more digital and modern forms of art and exploring other artists and the flesh behind their work. Mrs Brown taught us lino printing, palmpsesting, photoshopping, photographing, de/re construction and symbolism. I love every technique and appreciate artists in all fields. Even as a teenager my friends and I would seek out GOMA to see what interactive exhibition was on, for me art had become a way of life, not merely a reflection of it. 

Eager to do my best yet questioning weather I could handle the 3000+ word assignments of Senior Visual Art I was blessed with the topic "ART VS SCIENCE" and the first essay was from the perspective of a scientist write about what you find in your chosen Artists Studio. With a particular interest in natural medicine and the environment Sophie's name popped up on my laptop screen in your standard google search. I dot pointed research on her in my art journal and loaned her book from the Library the next day. I found a link on her website to her e-mail and the rest is as they say history. 

Inspired by Sophie's motif (symbol) of the seed, I decided to create my own motif, the snow pea. I started off germinating snow pea seeds in syringes to show the dichotomy of modern medicine and natural healing.






To symbolise the loss of natural remedies being passed down to the next generation due to the complete veneration of modern western medicine and also to show how our environment is being impacted by the decisions we make today I created an ice sculpture with snow-pea sprouts which I filmed melting. 







Also inspired by Sophie and Salli Sixpence I made this work from photographs I have taken of paint and ink, then fragmenting through white paint and reconnecting with the snow pea sprouts I drew using carbon paper. 






After photographing this work and photoshopping it I created a book, a kind of 3D symbol of natural medicine like the snake on the staff for western medicine.






Inspired by colour blindness tests I spelt out the message of my body of work "THE CURE AND THE CAUSE" within the piece. This is to highlight that modern medicine is seen as the cure it may present unforeseen problems for a different reason. Some things have been proven to be fixed such as type II diabetes, vitamin C for colds and vitamin B for energy and mental wellbeing. I am not saying there is not a place for Western Medicine I am just saying we can prevent and handle some illnesses through natural means in the way our ancestors have for centuries. This is summed up by the quote "Farmacy as apposed to Pharmacy"



I have skipped through a few works but this was my final piece. My Grandfather is the man in the photograph and he is making Silver water. A drink he would bring in glass bottles as soon as he heard we had a cold or we complained about feeling under the wether. 















Now that I am in a different phase of my life and not completing art in an academic setting, I don't start university until March 2014, It is nice to be an intern to reflect, create and envision the future. After chatting to Sophie in her studio she has inspired me to start an archive of my work in a tumblr site and I am going to start a visual journal to jot down my ideas and scraps of inspiration. In the mean time I am happy to be relaxing and learning from Sophie.

Jane 

felices fiestas!

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Embedded image permalink
found at twitter...
Its warm here and even though I'm not at the beach this feels like a fitting image to share with peeps from the northern hemisphere.

Its actually late here as I type ... the end of christmas day... so I've added this image looking into my studio and house. It seems all the neighbours are away. We are still getting to know the neighbourhood so its an eerie feeling. Our former home always had more people around and late night revellers to boot.


SEED.ART.LAB studio is closed for a week. Back after New Years!

Whilst I don't speak spanish I do rather like the notion of joyful festivity... and I think it a good wish to send around the globe when we don't all subscribe to the same creeds, religious or cultural festivals. As many have a holiday at this time of year and the same calendar is quite common around the globe its a punctuation mark that means something to all of us ... whatever that may be!




We chose to stay in this year... a new home makes it appealing to do so. We'd have been at my niece Lara's in a flash if that didn't involve a busy freeway trip for 90 mins or more. On top of travelling south tomorrow one's 83 yr old mother voted to avoid the roads and Lara agreed it was wise. This year we celebrated her marriage to the lovely Dwight and 10 days ago were up for her 30th birthday and an announcement she will be having a July baby. So we will visit in January for sure... and come July keep us away!!!

Imagine my mothers delight when her 5 yr old great grandson William, son of Lara's brother Tristan and wife Renee, phoned this morning to say his Mummy was having a baby. Olivia, my mother sat outside all morning counting all the July birthday's there'd be in the family with such relish! As her birthday is July 31 she hopes either Renee or Lara will bring her a very special birthday present!

It's been a pleasant day and I've pottered a bit in the kitchen... very low key nibbles today which in the heat is great. Red papaya for breakfast. Simple things laid out for lunch... and this afternoon a taste of home-baked goods given as gifts this week.




The Panforte was made by Jane's mother Vivienne who's mother is Italian and no doubt they have cooked this panforte recipe for years. The other tiny Xmas cakes were from Olivia's friend Stella who is quite famous for her brilliant cooking I'm sure. She is the only person I know who takes her treats to cafe owners she befriends so they can try her wares. The love her... so do we! She's young 80+
 year old and gift giving small treats is something she does all the time!




There other thing I'm doing is sorting things to take with me on a little mini-residency for 5 days.

My rationale in taking this short opportunity was to look into lining up a longer stay with hosts at Koonjewarre and Springbrook Rescue - part of the Australian Rainforest Conservation Society.

Their work consists of:

Springbrook Rescue” is a multi-stage project to protect and restore the World Heritage rainforests of the Springbrook region in South-East Queensland, Australia.
It involves seven programs:
1  acquiring land to expand the World Heritage area
2   restoring critical habitat and landscape connectivity
3   community engagement in World Heritage protection, presentation and restoration
4   science programs to guide restoration and monitoring
5   protecting World Heritage through better governance
6   presenting World Heritage values for their protection and community well being
7   partnerships to realize a shared vision

NB: text from website page!

Because I'm tagging along this week on a pre-organised camp I am doing a lovely exchange with them where I have a generous work space and I will offer 90 min classes over three mornings to 10 or more people. I will focus my seeds and biodiversity art classes around the work being done onsite to weed out invade species and restore the bio-diverse landscape which is deemed a Biodiversity hotspot.




Its come at a great time as I have been working non-stop to set up the new studio and introduce my plans for Seed.Art.Lab, and importantly, after months this year spent in limbo whilst relocating homes, these past 6 weeks have seen a spike in income that was... how to put it... absolutely about time.

click here to visit

I am so thankful to the support of a great many people who have visited, sent messages, made purchases at my online shop or in person, shared my project with friends and importantly set ideas up for next year so that there will be ongoing events, workshops and such.

Going backwards $10,000 due to stalled projects, expenses and new studio set up costs saw me holding my breath and anxious to turn that situation around. $10,000 is peanuts to some but I know many artists see it as something considerable and we don't like to spend when we're not earning.

Being able to get back on track makes me incredibly grateful for each and every bit of support and kindness that came my way. I am finishing 2013 in a far better place than when it started actually ... and despite the unnerving panorama of global challenges which I do, by nature, take very seriously I feel my faith in the kindness of many absolutely assures me of the colossal numbers of wonderful people on this planet that want it to be the best world it can be for all.

Recently starting "internships" at the studio has been a surprising joy. I've long enjoyed working with teens and children but it was an incredible stroke of luck that two separate conversations led me to intuitively put forward the idea of work experience to Sam and her mother back in May, and to Jane when I met her finally in person at my opening weekend after helping her in March with research via email.

That we decided to call it an internship was a mutual decision between the girls and I. They've been coming once a week for 5 or 6 hours. The focus of their time is spent between my projects and their own, depending on what else is happening at the time. They both wrote blog posts for me on their own artwork and their individual experiences here at the studio as they come on different days and have not met as yet.

Read Jane's post.



Read Sam's post.




We discuss what it means for them to be in a studio, slowly observing the full gamut of my particular art practice, getting glimpses into challenges and down-sides as well as the wonderful aspects of this vocation. Both families are delightful. Sam's mother put it to me from the start to ask 15 yr old Sam to help with anything useful for the studio business. This was liberating as I then knew there was a very clear understanding of my role.

Sam's father, until his recent untimely death, had an international career as an award-winning Architectural Illustrator so her understanding of a Studio Practice is very much about conducting a professional life and a business as much as exploring the depth and breadth of one's creative life. What has been exciting to see in her is that she understands the pragmatics of this vocation but is also utterly whimsical and enamoured with expressing her creative passion. Her joy in art-making is infectious!

Jane ushers in a kind of energy and experience that is different but equally inspiring. She brings me ideas every time she walks in the door. Have I thought of doing so and so... what about this or that? We laugh, talk and work on some of the tasks that she has essentially reminded me of the importance of.



Time soon passes and its been great to see her shift out of her heavily academic Year 12 mode of thinking and art making and into a period of  freedom from academic direction... to realise there is now a window of opportunity for her to make marks and put down ideas that she feels like exploring... certainly at a least until she takes up University if that's what she chooses to do next. There's a fluid exchange... we go between working on something for my deadlines to thinking through things of importance to her quite effortlessly.

Ideal really for school students ... much of their direct experience of art at this point is more likely the busy school classroom, generally without commercial context or broader world engagement, apart from referencing ideas of artists. Perhaps if they were doing 5 days a week for a month or longer all this would be a different experience. But one day a week gives a solid grounding in the studio reality and 6 days to go off and ruminate on that and find whatever they might like to explore inspired from their time in the studio.

More days are planned for January and I look forward to that.




One thing I want to share before I sign off came up lately when approached by the Global Crop Diversity Trust re an image for their Christmas greeting. As a not-for-profit they were interested in connecting and doing Homage to the seed promotion in exchange for non-exclusive use of the artwork. Having followed their organisation since 2010 when my project was taking off it was an inquiry I was delighted to follow through on.


This was one of the artwork images I sent to them... 'Perennial Symbols from the Botanical Realm I'.  It was decided to crop a section of this work for a closer view suiting the card the were going to have printed and also send via email!


Original work: 120 cm x 60 cm... one half of a dyptich.




To read more about this go to the Homage to the seed blog post I wrote this week where I described the way this painting evolved over two long years.

The cropped section below is now available as a Limited Edition print from my Seed.Art.Lab online shop here.




You can call my mobile on 0430 599 344 if you have inquiries. Or leave me a message on how to contact you! I've been organising to use Paypal so that makes it easier at the online shop.

It seems like a good note to end the year on really. To be able to share my artwork with the organisation that works at every level to conserve the seeds of the crops we rely on everyday all around the planet is a satisfying thought.

And tomorrow I go up to Springbrook National Park for a 5 day residency where I will be focusing on Seeds and biodiversity whilst learning about the efforts being made by Springbrook Rescue Action                                                                              to restore land from invasive species and also deforestation that occured decades ago.  

I'm finding myself falling asleep at the key board after rather a long day... so I'll be off for now.
Christmas blessings to followers of this tradition and my warmest wishes that your holiday be a great pleasure everyone!!



Image found at Springbrook Rescue


PlantBank Workshop : Seeds through an Artist's Lens

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In South West Sydney on the Weekend of September 12 + 13 I'll be conducting another "Seeds through an Artist's Lens" workshop at the Persoonia Lab, purpose-built classroom at the wonderful PlantBank Facility on the grounds of the Australian Botanic Gardens.

To read a large version of this flyer and the all important details skip over to my website

Any queries you'll find my email there and the booking number as well.



Read more of what's happening at FB Homage to the Seed Page and at my gallery on Instagram!


Participants will be creating simple Artist Books or Concertina Books  in which to present their visual ideas or assemble/collage work after intensive experimentation and exploration of seed material.



UPCOMING WORKSHOP: OCT 3rd NORTHERN RIVERS NSW.

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October 3 is the date of a wonderful all-day workshop I'm thrilled to be offering in collaboration with Marilyn Reeman at the stunning Tweed River Gallery and Margaret Olley Arts Centre in Northern NSW. 

When Marilyn, whom I knew through The Sabbatical Home on Instagram, contacted me with the idea for FANDANGO which was a workshop focusing on the use of ambient and varied forms of music as a prompt for mark-making I was delighted given its a process I've used in my workshops (going back rather a long way) to start each session.     

10 years spent learning Piano growing up, & being from a musical clan (of singers in particular), has long influenced my art-making ... so it wasn't hard to see how this could make a wonderful collaborative workshop and get others enthused.

Marilyn has designed the morning of music to free participants up to really enjoy mark-making and for the afternoon I will step up & introduce the Seed Story with a collection of seeds and pods to give further focus for the mark-making... for making experimental and free organic drawings with these wonderful seed forms for inspiration.

Anyone interest in more information or making a booking PLEASE NB that full payment is required to have a place in this workshop ... first in first served!

BOOKINGS + further INFO:
Please note:
NO bookings will be taken by 
Tweed Regional Gallery.

BOOK SOON ~ Avoid disappointment!



Click on this Flyer to read a larger version.





when:     Saturday, October 3rd 2015  10 am - 4pm
where:   Frances Mills Education Workshop
         Tweed Regional Gallery & Margaret Olley Art Centre
          2 Mistral Road, Murwillumbah 2484
what :       Join us for a wonderful day-long Workshop being guided by
                 Marilyn Reeman, Nature inspired artist, textile designer & teacher
                 & Sophie Munns, visual artist & facilitator ~ Homage to the Seed
In the morning Marilyn will introduce you to the extraordinary way music can evoke & guide your mark-making... the atmosphere from sound and rhythm spilling onto your page with your hand moving in response to deep listening. Within minutes those who’ve never experienced this process before will begin to relax, to unwind and to find what comes when the emphasis shifts from careful copying of what you see in the world to literally drawing from within your own being and finding the magic of rhythm, texture and energy in your lines tumbling onto the page.

During the afternoon Sophie will bring some of nature’s remarkable seed pod forms to your attention and you will continue to work with free mark-making approaches to make lively ‘drawings’ based on the wonderful world of seeds as your starting point.... using all your senses to capture the spirit of one of nature’s most potent symbols... in homage to the Seed!

Materials provided. Cost: $125 for the day + Lunch ~ byo or enjoy the Gallery Cafe. 

NB: Online links for facilitators:

  Marilyn Reeman’s artworks & Instagram Gallery,
            
  Sophie Munns on Instagram


We'd love to hear from you if you wish to know more.

Cheers,

Sophie & Marilyn!



PLANTBANK WORKSHOP SYDNEY MAY 2015

Studio archives ... revisited!

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Hello there...

I just copied this from my Studio blog which I realised I had not visited for a LONG time.

I thought I would update here ... a new Studio photo and where to find my news & postings these days.

This morning I had a visit from Photographer Margie Bender who took this Studio panorama shot which I do rather like. Often when people visit the studio and its been a busy time I feel like I have to clean up first. Neither the studio nor myself were particularly well groomed but I like how it worked out... and looks a hell of a lot more organised than it feels.

Friday November 13th 2015 ... 

I started this blog in winter 2009 ... and I didn't really have a studio when I started, had been very ill & was  just getting things going again. So its great to be in a whole different phase where much has taken shape... although it must be said in 2009 it was easier to sell paintings, the economy in Australia hadn't fallen over from the GFC, global ecological disasters and Climate Change were less dominant in the general public's psyche even though many knew then that ignoring it was at our great peril. 




I spend more time on the Homage to the Seed page at Facebook and Instagram these days. So if you wonder what I am up to find me there... Homage to the Seed is alive and well.


January PlantBank Residency & Workshop.

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Arriving at the Australian Botanic Gardens at Mt Annan in SW Sydney this week on Monday afternoon, January 4th I was amazed to see how green it was & stopped by the lake on the drive in to take some photos!
It had rained most of the day but I took photos of two different Casuarina Species that I noticed on my last visit when one of them was flowering.

Casuarina


On the road into Plantbank at the ABG Mt Annan


I was delighted to be back at ‪#PlantBank‬ catching up with people back early from Xmas Holidays... rather quiet compared to usual but very pleasant for settling in, finding studio space to set up and seeing where projects are at here at Plantbank.
Below are Seedpods collected in the Whitsundays by Australian Botanic Gardens Mt Annan Director John Siemon last year.
I took loads of photos of them on the first evening & drew them last night! Have been wanting to find these pods for ages.
From Wiki:
Entada rheedii, commonly known as the African Dream Herb or Snuff Box Sea Bean, and as the Cacoon Vine in Jamaica, is a large woody liana or climber. Their seeds have a thick and durable seed coat which allows them to survive lengthy periods of immersion in seawater.


Match Box Seedpods collected in the Whitsunday Islands, Qld
by ABG Director, John Siemon.

Matchbox Seedpod

Below: capturing Match box seedpods with quink ink in my 'new' studio.
First a quick journal drawing ... had to use the 60 cm x 22 cm journal to fit in these pods 50 cm pods ... wanted to capture the form by tracing! They're designed for tracing!


60 cm x 22 cm journal


The second version is slower in execution having thought through what I'm after.


Journal on left and work on paper on right.

After taking loads of photos  of the Matchbox Seedpod at ‪#‎Plantbank I worked on Digitalart interpretations like this one below.

Digital art.

Art the moment I am also preparing for the 3 DAY Workshop from January 16 - 18 here next week.
A few have chosen the option of doing a ONE-DAY only workshop and others are travelling from as far as Western Australian & Canberra. I'm really looking forward to running this workshop & one here also in March during the Exhibition I'm holding of my artwork.




Bookings for Plantbank Workshops are though my ONLINE STORE: 


2015 Artwork
Some artwork from 2015 at a glance.

And from Instagram the BestNine Images from 2015 at my gallery, as voted by the number of likes per image: https://www.instagram.com/sophiemunns/



Wishing you all a wonderful 2016! 

Sophie x


2016 ... can't believe its nearly December!

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2016
... where did it go?

I do hope any readers passing by have fared well this year.

For me the year flew past & I seriously ran out of time for mailing out E-Newsletters, blogging and even updating the website at times.




I discovered the running of an ONLINE STORE is actually impossible away from home and had to leave it as well.

2016 was many things, demanding at times but it was meeting good people far and wide, some travel in Australia, a number of fantastic workshops ... SEEDS THROUGH AN ARTIST'S LENS.


Western Hwy, travelling past the Grampians in Western Victoria

Visiting the Australian Grains Genebank, Horsham, Victoria


I hibernated in winter painting and Ive work in shows currently running in Cambridge MA in the States and at Newcastle Art Gallery.


Concertina Book Series painting during Winter.

I held exhibitions in Sydney during March at PlantBank on the grounds of the Australian Botanic Garden, Mt Annan where I had conducted 3 residences since 2014


PlantBank Exhibition
 ... and at the Lost Ones Gallery in Ballarat, Victoria in April.


Lost Ones Gallery, Ballarat

Visit the Website for an overview, find me on Facebook at Homage to the Seed and for the most up-to-date info on what Im up to best to follow me at Instagram/sophiemunns and I post daily there and tell of workshops and event coming up.

WORKSHOPS were a great highlight of the year:







Melbourne Botanic Garden in April at a 2 Day workshop with
guest speaker Neville Walsh who discussed his life-long work
as a Botanist & more recently also Seedbank Co-ordinator with
 the Australian Seedbank Partnership. While particpants drew
quietly he brought his work to life for us, offering a fascinating
glimpse into the way science and conservation work in very
particular habitats ... the Alpine region being one of his areas of
specialist interest. Such a treat for all on this wonderful weekend. 

Domain House at RBG Victoria... our workshop venue.



Maroochy Bushland Botanic Gardens, Sunshine Coast...
a wonderful venue for a September weekend workshop!




Thanks for visiting and reading if you found your way through this post.

Sending my best to you all as the year winds down,
Sophie


A NEW direction: renaming this blog!

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Like many of you in the blogging world have probably found ... keeping up with the last few years of changes in social media trends & options has been... well ... sometimes bewildering.

I gravitated to Instagram a few years ago... took ages to get used to it but then gradually found it my first go-to place on the internet.

Facebook page: Homage to the Seed I only set up when going to the UK on a Research Trip in 2011... and similarly it took a while to get used to it. I only began using the Sophie Munns feed a year or so ago... and then in a fairly low key way.

I've tweeted for years it seems but that's faded into the background. On Linked-in I'm so out of date its embarrassing.. I don't accept new links anymore. On Tumblr I have 5 sites but rarely visit them... and Pinterest....
... well its thanks to Pinterest which I was very active on for several years that my project was found by Julie Emery, an Art Teacher based at an International School in Hong Kong... which led to my first residency in Hong Kong in May this year.

If one complains about the time spent keeping up to date online its moments like that which remind one there are indeed benefits to having spent so much time quietly building a profile a different platforms.

One can't sit and wait for the opportunities to arrive but the quiet dedication of keeping online threads of one's practice going & interacting widely in the process have enriched and provided lessons for many of us over some years now.

Hong Kong Residency May 2017
Recently I tuned into a week of radio programs on the National Broadcaster in this country discussing the ways the smart phone & social media have encroached on our lives. It was a timely exploration of the impact these tools are having. I was more than ready to reconsider this issue.

By 2012 I had ten or so social media sites. Given I only bought a computer in 2008, and started blogging in 2009 it was bizarre to think by 2011 how hard I was working to keep up with online posting whilst also managing my Art Practice, Artist residences, teaching and speaking gigs, home life and friendships.



To say the computer, iPhone and social media changed my life is a vast understatement. I went from being somewhat locally focused, hand-writing almost everything, extensive journal-keeping and and focus in Slow living before it was fashionable.


This image below right is from my first real studio ... 1989, Kew, Melbourne when I was 30.


After years as a fairly home-oriented artist, apart from a few bold undertakings, I nevertheless was devoted to keeping the discipline of art practice, and a journal, whether travelling, working or in a studio setting.

I liked the world of documentation, reading and thinking & my preference for ideas exchanges was to meet friends in cafes, at events and talk fests like writers festivals.

Graduating Art School in 1980 unless a female was endowed with enormous talent, huge self-belief or bucket-loads of pluck it was easier to hide behind a day job, part-time art-making or group art projects than to step up as an artist onto a public stage & take a risk.

Despite this reticence I was consistent at keeping the threads of my creative passions alive.

After a major relocation from Melbourne to Newcastle in 2000, aged 42, I began to address in earnest how my art practice had to change. I didn't need to work any harder at art, be any more serious about my philosphy or content ...but I did need to stop hiding out so to speak... and take some more risks.

Returning part time to Art School in 2000 & watching first time art students actively promote their early work, print business cards, set up exhibitions and talk about plans & expectations demonstrated a new ethos was alive & well in the Art Schools of this era & my NOT being a more a more public artist was pointless. I began to participate in group shows, entered Art Competitions & worked on showing solo. In 2007 commenced a Masters of Fine Arts at Newcastle University.


Another major relocation unexpectedly occurred in 2008 following sudden medical complications that saw me leaving work as a teacher in schools and putting the MFA on hold. I consequently moved north to live with family in Brisbane.

Unable to pursue MFA research or teaching work in Brisbane I went back to the drawing board, literally and metaphorically, read extensively, painted, started blogging & considering new possibilities ... the Homage to the Seed project was born when I realised I could bring a seed focus to me

The brought was the point when I stumbled into the world of blogging. My private journal process became a public blog process. It took me while to get over the feeling of

With a new artistic & philosophical direction to develop blogging was the means... the scaffolding... the format to do so. First this blog named then Visual Eclectica.

Then the Studio Archive Blog which I've not visited for a few years to post on sadly.

Studio vignette
Then in 2010 The Homage to the Seed blog began in earnest. I'm very sad that so many images that accompanied interesting posts have disappeared form there now.




A scroll through the Instagram feed from the beginning takes you back to the time in 2013 of a significant relocation in Brisbane when I packed up my temporary Paddington Studio went through the slow process of selling the Clayfield family home and relocating with my elderly mother to a more spacious home with an excellent studio plus everything in place to suit her current needs. Although there were some very productive times during this change it was a good 9 months without a studio and managing the chaos.

Photos below are taken around the time of the launch of SeedArtLab November 2013.






The Instagram gallery therefore tracks the story from the relocation through to the setting up and launch of SEEDARTLAB and a series of residencies, the launch of my workshop program SEEDS THROUGH AN ARTIST'S LENS and all the activities and projects that have filled the period between late 2013 til now.

BELOW: Images from PLANTBANK ... location of a series of Residencies in 2014, 2015 & 2016. This leading Australian Seed Research facility, opened late 2013 at the Australian Botanic Gardens Mt Annan in South West Sydney, was an excellent location for furthering the exploration and research for the Homage to the Seed project.





1000's of photos of seed material, notes, interviews, drawings & paintings, workshops and an exhibition resulted from this period of engagement.

Its worth mentioning that all this material has also been put to great use in various other residencies, presentations and projects that have occurred throughout that period and since.

I had hoped to put together a visual book with notes around the PlantBank experience. However I've been kept flat out with other work since April, 2016 when I completed the Plantbank stint and have not found time to get to that.

Last year preparing work for exhibition in the US I revisited the Journal from my Millennium Seedbank Residency in October 2011.

Trawling through pages of this journal it struck me how difficult it's been to process the incredible wealth of material & stimulus stemming from consecutive residencies into a form that captures precisely what I would most like to share from it all.


Setup for a workshop at Melbourne Botanic Gardens in 2016 
Competing agendas, like making sure the calendar contains enough paid gigs coming up, enough workshops to balance the books... all that is distracting as much as its crucial. Launching a workshop program in 2015 was important for many reasons ... it took a great deal of time and energy to grow it into the experience it did actually become. 
Images from the first SEEDS THROUGH AN ARTIST'S LENS WORKSHOP at PlantBank





I'm so delighted to have shaped a course that brought together enthusiastic people from widely varying disciplines & interests, merged aspects of Seed Science with Art, artist books and new ideas in a refreshing way, growing a kind of online community as a result. 
A flyer from a 2 day workshop held north of Brisbane in April. 

That more that anything did prove to take a lot of time in the last few years. As many find who teach there is less time for one's own artwork. Yet... there is a brilliant opportunity to review what one values, the core material of ones own practice and teaching. And that all feeds back into the Art practice even if not in such obvious ways at the time.


A strong focus on small works, concertina books and artist's books was reignited during the intensive period of teaching.




So what is happening now:
I'm currently preparing for a November residency In Hong Kong at the Kellett British International School and working on several other projects.



Recent artworks:

Daintree River Seed Cloth
size: 50 cm x 120 cm
materials: linen, acrylic & pigmented inks, linen thread stitching. (clear medium undercoat and matt spray varnish)

'Daintree River seed cloth' references fantastic matchbox seedpods sent from Far North Queensland in June by David White who runs the 'Daintree River Wildlife & Crocodile Cruises’ near the World Heritage Daintree National Park. http://www.solarwhisper.com
NB: Botanical Name: Entada phaseoloides

View of work as it was being completed ready to send. 
I was thrilled to be sent several of these stunning pods among a collection of seedpods from rainforest species in the Wet Tropics. They were mostly found in the actual Daintree River by David. He scooped the pods from the river, dried them out then shipped them to my studio SEEDARTLAB … so this work is in part a tribute to that wonderful surprise but also to the extraordinary biodiversity of the tropical north of this continent.

Seed Diversity Cloth:
work in progress

size: 140 cm x 100 cm
materials: linen, linen & cotton stitching, acrylic & pigmented inks. (clear medium undercoat and matt spray varnish)

The finished artwork was professionally scanned with a 600 MB file so I can offer Limited Edition Prints. That file is too large to share even at a drastically reduced size... hence this image above.

A strong motivation behind this cloth is in part informed by my work to understand the concept and implications of preserving Seed Diversity. I gradually came to understand the role of organisations involved in this work.

When I began the Homage to the Seed project I discovered the politics around seeds frequently brought considerable negativity to the science of seeds, and the institutions & organisations working with seeds. irregardless of the nature & focus of the work.

The caretaker role of some of the most crucial mechanisms in place to conserve seed diversity was treated with as much suspicion & contempt as the transitionals profiting from their patented seeds.

For this reason I pursued the public discourse around this work, asked many questions when on residency in laces like the KEW Millennium Seedbank ... until it became clear that Seed Conservation and the concept of Seed Diversity was simply not widely understood ... I found I talk to that through my work.

I have an project with the Crop Trust at the moment ...  an international organization working to "safeguard crop diversity, forever."

https://en.wikipedia.org/wiki/Crop_Trust
https://www.croptrust.org
https://vimeo.com/116843898

This organisation has been a ongoing isourse of information since 2011. My artwork was shown in their Annual General Report for 2014 and in a Xmas card in 2014.

Based in Bonn, Germany they collaborate with many key organisations to preserve seeds … specifically Crop Diversity around the globe, partnering with organisations like the KEW Millennium Seedbank in the UK and crucial gene banks holding genetic diversity of wild relative species as well as cultivated crops and landraces.

So for now... on with the preparation for Hong Kong and completing work over the next month before I leave.


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HONG KONG : TAKE TWO

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On a Thursday evening, October 26th I arrived in Hong Kong for the second Artist Residency this year. 6 Months before i'd booked an Airbnb and managed to meet the host in June before returning form the first residency.

This is my view from my new temporary home opposite Hong Kong Park looking across to familiar landmarks in Central, Hong Kong Island.




And breakfast next morning took place on the balcony looking across the Bird Aviary in the park. The weather was warm, less so than when I left in Summer but nevertheless in three weeks of Autumn Ive not needed a coat and instead have had to adjust to constant humidity.






This visit I've been based at Kellett International British School on the Kowloon or northern side of Victoria Harbour in Hong Kong.

Website: Kellet School
This has allowed me to discover new areas of Hong Kong, cross-harbour tunnel commuting, by MTR, Bus and taxi. Kellett also has a campus at Pokfulum, close by the School I was artist-in-residence at in May this year ... the International Schools Foundation Academy at Cyberport on Hong Kong Island.

Monday morning October 31st was the start of orientation week at Kellet ... I set up in the temporary studio and began working out a program with staff, organising materials and space to paint and prepare for the coming weeks.

It was welcoming indeed to discover this waiting when I arrived.... the signage promoted the Annual Fund, a philanthropic body within the school responsible for making this residency possible.


Kellett Studio
A field trip in the first week to Kadoorie Farm and Botanic Garden in the New Territories was a wonderful opportunity fitted into the schedule midweek. I'd not previously traveled into this region with its semi-rural landscapes and beautiful vistas and many people had suggested I visit this stunning and unique place.

It wasn't possible to collect seed material as I didnt have permission but I also didnt notice anything although I am sure staff are very aware when and where to find all kinds of seed material throughout the year. Well with the trip if you are in Hong Kong and wish to gain a fascinating glimpse of tis complex project which has evolved constantly since it was first set up to teach farming skills and reforest denuded landscapes.






The Annual Fund set up by Kellett made possible the opportunity for
this residency exploring Seed Diversity through Art with students.


Unpacking samples and material brought from my Brisbane Studio

WEEK 2:

Teaching commenced with lessons structured for Year 7 as well as grades 8, 9 and 12 ... introducing the Homage to the Seed Project as well as the concept of Seed Diversity and how I interpret it as a visual artist.

A slideshow & intro to Seed-drawing processes made for a lively week. In the studio several staff members and students prepared the 16 metres of linen ready to paint on in WEEK 3 in the School's Atrium.

One 4 metres panel... part of the 16 metre work in prep.



Preparing samples employing different painting techniques ready for WEEK 3


Sample pieve testing the proposed colour palette and motifs.

Section of sample piece on linen.

Using Digital Art to play with ideas for the WEEK 3 composition.

Stay tuned for the report on WEEK 3 & 4.

FOLLOW me on INSTAGRAM& FACEBOOK for regular postings.

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2019 at SeedArtLab

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SeedArtLab

Its almost 10 years since I started this blog. Sadly its going on 2 years since I last posted here. I'm reluctant to close it down for the fact of its wonderful archive of stories on the Art and creativity of many from all around the world ... as well as posts that capture the slowly developing stories from my studio... and some speedy moments too.


Late 2013 I relocated to a new Brisbane home with studio known as
 SeedArtLab ... in the early days it was quite pristine and so organised.
Currently it's cluttered & busy with projects in various stages but with
workshops starting soon a spring-clean will definitely be taking place.


Ive enjoyed the first really big break in a decade since November when a trip to hospital forced a slow down for medical tests until it was clear what was occurring. 

Last year turning 60 it was curious how health matters did come a-begging for attention ... and others also around this same age were likewise sharing stories of dealing with changes in their lives. Glad to say nothing too harsh to make me put away my paintbrushes! In fact once I am in possession of a Sleep Machine & have adjusted to it, I've been told I'll regain energy & focus and be back on track in no time so I'm looking forward to that.



When this blog got going I was terrified of the process of talking about my ideas and work where unknown people could see it. Its hard to believe how the world was then and how it is now. Too much time can be taken up online so its been quite a journey to work out what the purpose was for me.

I started this blog around May 2009 when someone insisted it would be good for me and I finally relented and got started. At first I didnt put my own work up... that seemed wrong... who would look at it and why I remember thinking at the time.

By the end of that year though I'd become quite accustomed to posting ... and enjoyed the conversations with a small community of bloggers I'd discovered.  I didn't like selfies though so only very rarely did I include photos of myself and that hasn't changed.

2010 I began a year long residency at Mt Coot-tha Botanic Garden in Brisbane prompted by a discovery in the middle of 2009 of the Seed Lab at the BBG where I began volunteering in order to learn more about the work of this Seed Lab which was funded initially by the KEW MILLENNIUM SEEDBANK Partnership based in the UK.  I applied to do a residency hoping to pursue The HOMAGE TO THE SEED PROJECT but assuming competition would be too steep and that would be that.





Fortunately (for the part of me that keen enough to hope) that most unexpected phone call came in January 2010 inviting me to come & set up my Homage to the Seed project at Mt Coot-tha.

With a quite minor awareness of Seeds in relation to the history of human life on the planet I had a great deal to learn. Science had not been a focus of my growing up years & even though in the 2000's I was considerably more fascinated by & open to learning about Science I knew I was starting at the beginning.

So I read and conversed and researched and discovered throughout the year, trying to keep up with this new flow of information and all the duties and undertakings that came with the residency... to paint and engage with the public. Discoveries were being recorded in a visual journal and a brand new Homage to the Seed blog where links to websites of interest held a lot of reference material that proved highly useful.

In 2007 I'd begun an MFA at Newcastle University in the Visual Arts Dept... at the same time I was working in schools and trying to keep up my painting practice in my home studio.  Before the end of that year I was dealing with serious illness and a few months later packing up my home and moving to live with family in Brisbane.

A strong desire to undertake a research project pushed me towards to MFA in Newcastle. Once settled  in Brisbane I pondered picking up where I'd left off but in time gravitated to Seed collecting. Out of that questions arose which led to connections with all kinds of organisations & most fortuitously with the Seed Lab at the Botanic Gardens.

I started another blog as well to document my studio archive. Sophie Munns Studio blog is now almost 10 years old ... the last post in 2017... but you will find most of the residencies and main events are recorded there over 6 or 7 years.

Visiting the blogs you'll find images & stories in posts from the journey that followed Mt Coot-tha.
Residencies can be found

2011  October-November UK Study trip and Millennium Seedbank Residency.

2012  May Institute for Molecular Bioscience, University of Queensland Residency.

2012  October Cairns Botanic Gardens

2014  Plantbank. Australian Botanic Gardens, Mt Annan. NSW

2015  Plantbank. Australian Botanic Gardens, Mt Annan. NSW

2016  Plantbank. Australian Botanic Gardens, Mt Annan. NSW

NB: From 2016 onwards most online posting has been done at either INSTAGRAM: Sophie Munns or FACEBOOK PAGE:  Homage to the Seed.

2017  May The ISF ACADEMY Pokfulum, Hong Kong

2017  November Kellett British International School in Hong Kong

2018  Queensland Academies Creative Industries Kelvin Grove Urban Village, Brisbane



In 2014 I did the first of 3 residencies at PLANTBANK in Sydney, Australia. The photos below come from my time at Plantbank.



Seed Vault at PlantBank

Microscopy room 

X-ray Seed images form the Microscopy Room

Drawing from the collection at PlantBank
2016 PlantBank Exhibition Seed through an Artist's Lens.

IMAGES FROM KELLETT BRITISH INTERNATIONAL SCHOOL 2017 RESIDENCY

STUDIO AT KELLET



In the Atrium where a week was spent working with student on a 16 metre painting that was later hung in this space.



Students working on a section of the 16 metre painting in the Kellett Atrium



WORKSHOPS ARE ONGOING IN 2019
FLYER FROM 2017

2019 CALENDAR USING ARTWORK FORM A COMMISIONED WORK FROM 2018.



IN THE STUDIO


Here's to the tenth year of this blog!



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